Through her large canvases, Márta Kucsora lends a visual voice to the tension between the macro- and the microcosm, movement and stasis, process and result. By creating fluid visual realms whose poetic motion reflects on the constant change inherent in all things, she questions the positionality of the beholder who is challenged to situate themself in a constant conversation with the unraveling patterns of colour. It is abstraction in its most lyrical form, proceeding from nature as a realm of creation, a place of constant becoming in the wake of its inherent dynamics of change. An ambiguous, amorphous state of being, the artist lends a new visual language to through her unique technique of brushless painting. Using diverse materials that either attract or repel each other, her canvases turn into animated landscapes that reverberate and echo with a creative force from within the intriguing chromatic designs that emerge inadvertently. Pastes, lacquers and paints of varied density and viscosity perform a sublime dance upon their encounter on the canvas, thereby entering an impassioned struggle that ultimately results in compositions of rhythmic depth. The colour pigments condense and crystallise into animated formations as the artist sprays and sprinkles the more or less diluted materials onto the completely dry or partly moist support for her paintings. In pioneering this process, Márta Kucsora strikes a delicate balance between chance and control, ultimately embracing a gesture of self-abandonment in the expressive moment of matter taking over and choosing its own viable part. Active, conscious planning and preparation thus ultimately yield to the force of the uncontrolled which lends the compositions their remarkably autonomous nature. In her practice often compared to Jackson Pollock‘s action, Helen Frankenthaler‘s fluidity as well as Gerhard Richter‘s spatiality, Márta Kucsora yet pushes the boundaries of abstraction in a new direction as the physical laws of surface tension along with the thrust of centripetal and centrifugal forces are harnessed in a hitherto unique way.The intricate swathes of colour, by this, turn into suggestive compositions that challenge the viewer to submit to a meditative state while allowing for the mind to retreat to a place where sensation assumes the amorphous shape of visceral emotion.Inadvertently, held between the infinite of the macro- and the microcosm, the existential questions of human life surface - questions that in themselves have no definite form nor answer for inherently intangible, immaterial, untranslatable. It is here that the numinous arises as an experience which begins where the cognitively controlling mind ceases to operate. By demanding the viewer to place themselves in front of the canvas, Márta Kucsora‘s works induce a reflection on the position of the self in the world while contemplation becomes an act of setting the self in relation to colour, movement, energy, chance and control. In short, life and human existence at large.Her paintings unfold as a site of poetic projection, a poetic realm beyond the rigid regime of the verbal as always confined to meaning systems of semantic conventions with their inherent logics that prove both limiting and limited. The compositions accordingly move beyond language as they originate in an abstract space where the ordering thought submits to and translates into a visual choreography of colour. Through her unique technique, Márta Kucsora pushes the boundaries of abstraction as well as its lyrical declension. The process of painting is upended and reversed, no longer proving to be solely about the creating self but rather turning into a universal truth which the artist captures on her canvas. The swirling patterns become evocative of a primordial force whose origin lies at the heart of the audacious act of inner projection in recognition of the mystery of creation. A constant coming-into-being, proceeding from nothing to fill a latent void so fittingly represented by the blank canvas. The act of painting, its primary aspiration to image-making moves beyond the mere process of projecting pictorial arrangements. Rather, it emerges as an existential quest, an attempt at finding a metaphorical language whose amorphous nature allows for thought to materialise. In abstraction, the deepest questions we ask ourselves are thought and addressed through a gesture that erupting from within is severed from the intellect. Ideas, marked by their inherently immaterial essence, turn into a visual imprint that sparks off further associations. The initial moment is thereby predicated on the risk of not knowing what one does nor what the result will be. A risk whose proneness to failure at the same time reveals as its greatest strength for bringing about the unthought, the unmediated, the untamed. By this, the resulting painting reads as a living testament to an original struggle eternalised in the subliminal, supraverbal outcome. Across the expansive surface of Márta Kucsora‘s canvases, exuberant swathes of colour twist and turn, writhe and skate, float and fall, creating works of intriguing compositional balance and dynamic force. Jewel-like specks of radiant hues recall the variability and ferocity of the natural world in its opposed dimensions of the micro and the macro, thereby marking a passage from the inner to the outer and vice versa. Her canvases read as lyrical landscapes, unrestrained by the computing mind, where a sensory engagement with the painting forecloses a cognitive apprehension in favour of an endlessly engrossing and expanding visual experience. In a breathtaking union of vital force and visual lyricism, the compositions swivel between anarchy and restraint, chaos and order, accident and intention as the patterns leap, surge and whirl across the canvas. The resulting creations no longer teeter on the threshold of figuration but veer towards an expressive vigour that reverberates with its own evocative force. Of melodious intrigue, the swirls and swathes of paint seem to increase and decrease in volume as they swell and abate across the canvas, thereby echoing with asynaesthetic rhythm through the beholder who rather than a mere spectator experiences further perceptual modes beyond the merely visual. Unrestrained in their orchestrated cadence, Márta Kucsora‘s works live by a raw, kinetic energy. By this, they appear to be constantly evolving, shifting, morphing freed from any methodical rein as they solely abide by their very own laws. Never meant to illustrate or represent, her works refer to nothing but themselves, recalling the moment of their creation in an actualisation through the embodied viewer who by virtue of their physicality becomes the extension of the dynamic flow and motion of the colours. A sensation that lingers on in the beholding subject - repercussions of a sublime primordial force that in Márta Kucsora‘s paintings becomes viscerally tangible.