In 2021, following the inauguration of the first female Vice President of the United States, the Women’s National History Museum commissioned Simon Berger to create a portrait reflecting the breaking of the ‘glass ceiling’ — a metaphor intrinsic to his pioneering cracked-glass technique.
HOW NOA OPERATES
NOA operates at the intersection of artist representation, strategic advisory, and independent collecting. The practice is built around long-term thinking, selective engagement, and direct involvement in the structures that shape artistic relevance over time. NOA does not pursue scale, visibility, or volume. It works through sustained collaboration, informed presence, and clear decisions.
Yves Scherer & Leonor Fini — Les Plaisirs et les jours — Duo Show at Loeve&Co, Paris in collaboration with Agence DS
WORKING PRINCIPLES
Selectivity
Collaborations are limited and long-term. Every engagement is deliberate.
Positioning
The focus is not exposure, but sustained relevance within institutional and market structures.
Judgment
Decisions are informed by direct presence, experience, and continuity — not trend response.
Marta Kucsora’s Untitled 114 - 117 at a private collection in Lucerne, Switzerland
ARTISTS
NOA works with a small group of artists whose practices require time, context, and structural clarity. Representation is shaped around individual trajectories rather than short-term opportunities.
Selected Artists
Simon Berger — Yves Scherer — Marta Kucsora
Simon Berger’s L’espoire in Grenoble, 2021 — permanent installation
PRESENCE
NOA maintains an active presence within international art contexts. This presence is not performative. It functions as a working method, enabling first-hand understanding, long-term relationships, and informed strategic decisions.
Marta Kucsora — Liminal Spaces — Solo Show at Kahan Art Space (Eva Kahan Foundation), Budapest, curated by Viola Lukács